![]() ![]() ![]() When I switch from my Committee to my Benge, or my Yamaha, I certainly can hear and feel differences in the horns, but does that imply poor quality? If a horn requires that you move more air, of pay more attention to intonation or articulation, but in doing so produces a better quality of sound, does that make it poorer quality? I have a 56 Large Bore Deluxe with which I am fairly familiar. To be clear, we might notice differences in timbre, slotting, or intonation, but ultimately we’ll compensate one way or another in order to get the sound we want, but we won’t completely understand exactly how we modify our approach in order get that sound.Īs an example, a year or so ago I came across a Martin Committee from the early 60s….post 200xxx. I’m fairly sure that most of us with day jobs just don’t have the ability to understand the differences between trumpets. ![]() I’m not sure that I accept the criticism that anything made by Martin after 200xxx is of poor quality. ![]()
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